In the Mirror: A Collection of Iconographic Essays and Illustrations - Iconography Book
By: Fr. Stamatis Skliris
This collection of iconographic essays and illustrations by Fr. Stamatis Skliris is an anthology of his articles, translated into English, in which he combines adherence to the teachings of the Church Fathers with a vibrant expression of faith through the experience of Christ in the Church. The book is adorned with more than 200 of his striking icons and illustrations. Fr Stamatis is one example of an synthetical, Neopatristic approach in the arts. Although he basically employs a dark Byzantine under-painting, adding to it light “accents” (illuminations), he still plays with colors in such an impressionist manner that his work gains a “non-determinism of color.” Stamatis articulates a dialogue with modern art by evaluating the brush strokes of Van Gogh Cézanne, Monet’s colors, Matisse’s forms, Picasso’s Cubism, and Post-modernism. Stamatis reminds us of the times when Church had the ability to shape the culture; yet, he does not copies ready-made solutions from the iconographic past but researches everything anew; a strong experimental sense is at his disposal, and he combines strictly traditional elements with those that are modern; e.g., The Mighty Protectress (Theotokos) is strongly traditional, but Christ has the movement, the colors, and brush deposits of modern, expressionist art.
Language: English
Number of color reproductions: 227
hardcover
This collection of iconographic essays and illustrations by Fr. Stamatis Skliris is an anthology of his articles, translated into English, in which he combines adherence to the teachings of the Church Fathers with a vibrant expression of faith through the experience of Christ in the Church. The book is adorned with more than 200 of his striking icons and illustrations. Fr Stamatis is one example of an synthetical, Neopatristic approach in the arts. Although he basically employs a dark Byzantine under-painting, adding to it light “accents” (illuminations), he still plays with colors in such an impressionist manner that his work gains a “non-determinism of color.” Stamatis articulates a dialogue with modern art by evaluating the brush strokes of Van Gogh Cézanne, Monet’s colors, Matisse’s forms, Picasso’s Cubism, and Post-modernism. Stamatis reminds us of the times when Church had the ability to shape the culture; yet, he does not copies ready-made solutions from the iconographic past but researches everything anew; a strong experimental sense is at his disposal, and he combines strictly traditional elements with those that are modern; e.g., The Mighty Protectress (Theotokos) is strongly traditional, but Christ has the movement, the colors, and brush deposits of modern, expressionist art.
Language: English
Number of color reproductions: 227
hardcover